By 2011, Laura Fygi was already a seasoned star, having sold over 1.5 million albums worldwide. Yet, with The Best Is Yet To Come , she wasn’t just releasing another collection of cover songs. She was making a statement. The album’s title—borrowed from the classic Harold Arlen and Johnny Mercer standard—is both a nod to the Great American Songbook and a personal manifesto. At an age when many singers begin to slow down, Fygi declared vitality, elegance, and a forward-looking optimism.
| Aspect | CD (16/44.1 WAV) | 320kbps MP3 | FLAC (16/44.1 or 24/96) | |--------|------------------|-------------|--------------------------| | File size (approx.) | 500 MB | 100 MB | 400-800 MB | | Bitrate | 1,411 kbps | 320 kbps | Variable, up to ~1,200 kbps | | Preservation of studio nuances | Full | Partial (high frequencies filtered) | Full | | Ideal for… | Ripping to FLAC | Portable players, streaming | Archiving, hi-fi listening | | Fygi’s vocals on “Bésame Mucho” | Warm, detailed | Slightly sibilant or muffled | Velvet with palpable breath | Laura Fygi - The Best Is Yet To Come -FLAC- -2011-
The of this album is significant because it represents a “sweet spot” in mastering. It is not the overly loud, dynamically compressed remaster of a later reissue. It retains the original dynamic range, which, according to analysis on the Dynamic Range Database (DR Database), scores favorably (typically DR10-DR12), meaning ample room between the quietest and loudest passages. Later “loudness war” remasters, even in FLAC, often squash this vitality. Comparing Formats: CD, MP3, and FLAC To fully appreciate why collectors search for Laura Fygi - The Best Is Yet To Come -FLAC- -2011- , consider this direct comparison: By 2011, Laura Fygi was already a seasoned
In the years since, the album has gained a second life among the “lossless revival” movement. Younger listeners, discovering FLAC through Bandcamp or Qobuz, often stumble upon Laura Fygi as a gateway artist—someone who bridges classic jazz songwriting with modern, polished production. If you own the CD, you can rip it to FLAC yourself (using Exact Audio Copy or dBpoweramp) and effectively have the same -2011- master. But if you only have an MP3 or an AAC stream, upgrading to Laura Fygi - The Best Is Yet To Come -FLAC- -2011- is a revelation. The album’s title—borrowed from the classic Harold Arlen
The FLAC version, when played through a DAC like a Chord or Topping, reveals that the 2011 master was engineered with care. The reverb on Fygi’s voice—particularly on “The Windmills of Your Mind”—is not a wash of noise but a distinct acoustic space. Given the specificity of the keyword, many users are likely searching for this release on torrent or file-sharing sites. However, as an advocate for artists and sound engineers, it is important to note that legitimate FLAC copies of The Best Is Yet To Come exist.