Short, Easy Dialogues

15 topics: 10 to 77 dialogues per topic, with audio

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February 22, 2018: "500 Short Stories for Beginner-Intermediate," Vols. 1 and 2, for only 99 cents each! Buy both e‐books (1,000 short stories, iPhone and Android) at Amazon (Volume 1) and at Amazon (Volume 2). All 1,000 stories are also right here at eslyes at Link 10.


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Dec. 18, 2016. All 273 Dialogues below are error‐free. NOTE: The number following each title below (which is the same number that follows the corresponding dialogue) is the Flesch‐Kincaid Grade Level. See Flesch‐Kincaid or FREE Readability Formulas, or Readability‐Grader, or Readability‐Score. These grade levels are not "true" grade levels, because the dialogues are not in "true" paragraph form (because of the A: and B: format). However, the grade levels are true in the sense that they are truly relative to one another.


Lady Gaga - The Fame Monster - 2009 -eac - Flac... =link= <AUTHENTIC - HOW-TO>

Posted by: VinylVortex Archives | Category: Lossless Music, Album Reviews

The 2009 CD was mastered by Gene Grimaldi (at Oasis Mastering). While it is still mastered loud for pop radio, it retains approximately 8-10dB of dynamic range (DR score of 7-8 on the TT Meter). Later “deluxe” digital versions and some streaming remasters apply additional limiting, flattening the transients. An EAC-FLAC rip of a clean 2009 disc preserves the original master’s intent. Lady Gaga - The Fame Monster - 2009 -EAC - FLAC...

Your "EAC – FLAC" search should ideally yield the 8-track EP (the original Monster vision) or the 14-track Deluxe Edition (which bundles The Fame ). However, purists argue the standalone 8-track disc has tighter bass response because it fills the entire CD capacity without the earlier album’s data. Setting Up Your Playback for Optimal Enjoyment You have the Lady Gaga – The Fame Monster – 2009 – EAC – FLAC folder. Now what? Do not just dump these into your iPhone’s default music app. Posted by: VinylVortex Archives | Category: Lossless Music,

In the pantheon of 21st-century pop music, few releases have been as culturally seismic or artistically transformative as Lady Gaga’s The Fame Monster (2009). But for the discerning listener—the audiophile, the collector, the FLAC purist—the album represents more than just a collection of hit singles. It is a benchmark for dynamic range, production layering, and CD-era mastering. An EAC-FLAC rip of a clean 2009 disc



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