For decades, the simple, melodic children’s song “I Love to See the Temple” has been a staple in Primary rooms and family home evenings. Its lyrics, written by Janice Kapp Perry, offer a gentle promise of spiritual protection and eternal family bonds. However, in the mid-2000s, renowned pianist and composer Paul Cardall took this humble melody and transformed it into a cinematic, emotionally resonant masterpiece.
This article explores the artistry behind the arrangement, the technical challenges it presents, and the best resources to get the sheet music into your hands. To appreciate the sheet music, you must first understand the context. Janice Kapp Perry’s original 1980 version is written in 3/4 time (waltz-like) with a range that fits a child’s voice. It is bright, bouncy, and simplistic—perfect for its intended audience. i love to see the temple paul cardall sheet music
This is where most amateurs break their hands. Do not play the octaves at full volume. Paul Cardall’s secret is velocity . He strikes the keys fast, then immediately relaxes. Practice these four measures at half speed, focusing on rotation of the wrist, not finger strength. For decades, the simple, melodic children’s song “I
For the temple is a house of God. And so is your piano bench. Have you mastered Paul Cardall’s arrangement? Leave a comment below with your favorite recording of this piece, or share a video of your performance (remembering copyright laws for public broadcast). For more LDS piano tutorials, subscribe to our newsletter. This article explores the artistry behind the arrangement,
Go to MusicNotes.com or PaulCardall.com today. Purchase the legal PDF. Sit at your piano. Close your eyes for three breaths. Then, let that first Eb major arpeggio roll like a wave against the shore of a quiet Sabbath morning.
Paul Cardall, a celebrated New Age and classical pianist known for his meditative style and his own journey with congenital heart disease, approached the hymn differently. When he recorded his version for the album Primary Worship (and later The Christmas Box ), he did not merely add chords. He recomposed the emotional DNA of the song.