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Godzilla 1998 Open Matte

  • March 25, 2012
  • Jared Brown

Godzilla 1998 Open Matte

A: No. Criterion owns the rights to the Japanese Godzilla films (Showa era). The 1998 film is owned by Warner Bros./Sony.

A: Directors hate it. Most directors (and cinematographers) view Open Matte as a "TV compromise" that ruins their careful widescreen composition. However, for collectors, it is the opposite—it is the raw truth of the film stock. Godzilla 1998 Open Matte

For over two decades, Roland Emmerich’s Godzilla (1998) has been a lightning rod for debate. While hardcore Toho fans famously derided the "Taco Bell lizard" for straying from the radioactive allegory of the original, a different, quieter battle has been raging among physical media collectors and film preservationists. That battle concerns Godzilla 1998 Open Matte . A: Directors hate it

If you have only ever seen the film on DVD, Blu-ray, or streaming, you have seen less than half of the picture. The Open Matte version—primarily sourced from the rare IMAX print and the long-defunct "Bravo HD" broadcasts—presents a radically different visual experience. It doesn’t just add sky; it changes the scale of the monster. For over two decades, Roland Emmerich’s Godzilla (1998)

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A: No. Criterion owns the rights to the Japanese Godzilla films (Showa era). The 1998 film is owned by Warner Bros./Sony.

A: Directors hate it. Most directors (and cinematographers) view Open Matte as a "TV compromise" that ruins their careful widescreen composition. However, for collectors, it is the opposite—it is the raw truth of the film stock.

For over two decades, Roland Emmerich’s Godzilla (1998) has been a lightning rod for debate. While hardcore Toho fans famously derided the "Taco Bell lizard" for straying from the radioactive allegory of the original, a different, quieter battle has been raging among physical media collectors and film preservationists. That battle concerns Godzilla 1998 Open Matte .

If you have only ever seen the film on DVD, Blu-ray, or streaming, you have seen less than half of the picture. The Open Matte version—primarily sourced from the rare IMAX print and the long-defunct "Bravo HD" broadcasts—presents a radically different visual experience. It doesn’t just add sky; it changes the scale of the monster.

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