Animsquad Master Class Disney S Zach Parrish Brent Homman Top -

If you are stuck in "tutorial hell" — where you can copy a bouncing ball but cannot make a character live — this is the cure. The featuring these two Disney veterans is not just a top course; for many, it is the finishing school for modern feature animation.

In his lecture for AnimSquad, titled "The Gag is King," Homman dissects his own shot of the sloth at the DMV in Zootopia . He shows how the humor comes not from the slow motion, but from the violation of timing. The eyes move fast, the hand moves slow, and the smile spreads at a medium pace. He teaches students to break the body into individual time signatures to find the comedy. Improvisation in Animation Brent Homman doesn’t believe in rigid lip-sync. He believes in "acting through the jaw." During his AnimSquad critiques, he is known for turning off the audio track and judging the shot by body language alone. If you can understand the joke without sound, the animation passes. If you are stuck in "tutorial hell" —

AnimSquad, founded by veteran animator Waylon Dunn, has built a reputation for bridging the gap between student work and the quality expected in a major studio. However, two names consistently rise to the of their roster: Zach Parrish and Brent Homman . Both veterans of Walt Disney Animation Studios, their master classes offer a rare, unfiltered look into how to bring digital puppets to life with soul, weight, and comedic timing. He shows how the humor comes not from

Unlike pre-recorded, static courses, AnimSquad master classes are live, interactive, and brutally honest. Students submit their blocking, spline, and polishing passes. The instructors—current or former feature film animators—draw directly over the work, critique the arcs , the spacing , and the acting choices . This is why the search is so popular; professionals know these two offer the most actionable feedback in the industry. Zach Parrish: The Physics of Emotion Zach Parrish’s resume reads like a highlight reel of modern Disney. He served as Head of Animation on Raya and the Last Dragon and directed the Academy Award-winning short Us Again . But for students in the AnimSquad master class, his value lies in his obsession with physicality . The "Parrish Principle" of Weight In his master class, Parrish often lectures on what he calls the "invisible skeleton." While beginners obsess over facial expressions, Parrish forces students to look at the hips and the shoulders. He argues that if the physics of the body are wrong, the face becomes irrelevant. Improvisation in Animation Brent Homman doesn’t believe in